On Being Human | On the Denial of Humanity

On Being Human | On the Denial of Humanity

Title history
  • On Being Human | On the Denial of Humanity — observed on 20261106-1738 UTC (YouTube)
🎙 Olutoyosi Aboderin, Eman Ghanayem, T. J. Tallie 👥 1K 📅 November 6, 2026 ⏱ 69 min 👁 12 📄 expert opinion 🧭 2026-11-06
Available in: English (current) Français

Keywords

denial of humanitydehumanizationsettler colonialismpoetrynecropolitics

Summary

This panel discussion, part of the ‘On Being Human’ series at the University of San Diego, explores the denial of humanity as a social and political phenomenon. Three scholars present complementary perspectives: Eman Ghanayem (pre-recorded from Palestine) analyzes Palestinian and Indigenous poetry, arguing that poets like Samih al-Qasim, Leanne Howe, Leanne Simpson, and Suheir Hammad use ghostly, fragmented, and shape-shifting voices to resist erasure and assert alternative forms of being human. Olutoyosi Aboderin examines how media perpetuates dehumanization, drawing on the film ‘Ingagi’ and the recent killing of a Ghanaian teenager to illustrate the process of ‘othering’ and the psychological control described by Carter G. Woodson. The discussion integrates theoretical concepts such as Achille Mbembe’s necropolitics, Edward Said’s orientalism, and Audra Simpson’s notion of refusal, showing how dehumanization operates simultaneously through physical violence and cultural representation. The speakers emphasize that poetry and media can serve as spaces of resistance, where those marked for death reclaim agency and language. The session concludes with a call to view ‘being human’ as a practice rather than a fixed category.

176 words

Critical Evaluation

Value of the Information & Strength of the Argument

The value of this discussion lies in its interdisciplinary and intersectional approach, linking literature, history, and media studies to address contemporary issues of dehumanization. The argumentation is robust: each speaker supports their claims with specific textual evidence (poems, films, legal history) and theoretical frameworks. For example, Ghanayem’s close readings of poems by al-Qasim and Howe demonstrate how poetic form encodes trauma and resistance. Aboderin’s analysis of ‘Ingagi’ and Woodson’s quote grounds the discussion in historical and ongoing media practices. The speakers avoid simplistic binaries, instead showing how dehumanization is a complex process involving both physical and epistemic violence. The arguments are coherent and persuasive, though they rely heavily on the authority of cited scholars and poets rather than on independently verified data.

Scientific Rigor, Source Quality, Title Accuracy

The scientific rigor is appropriate for a humanities panel: the speakers cite canonical works (Wynter, Said, Mbembe, Simpson) and contemporary poetry, and they contextualize their analyses historically. The quality of sources is strong, with references to academic publications and well-known literary works. The title accurately corresponds to the content, which centrally addresses the denial of humanity. No specific external sources are provided in the video description, and no comments are available for analysis.

210 words

Title / Content Match

The title 'On Being Human | On the Denial of Humanity' accurately reflects the content, which examines how groups are dehumanized and how they resist through poetry and media. The match is direct and faithful.

Quality & Reliability

8/10

The speakers are academic specialists (history, literature) who ground their arguments in established theoretical frameworks (necropolitics, settler colonialism) and concrete literary and media examples. The content is well-reasoned and coherent, though some sources are cited but not formally verified in the video.

Key Moments

Cited Sources

  • Orientalism — Edward Said's work is cited to argue that Arabs and Palestinians are reduced to either 'savages' or 'negligible quantities'.
  • Necropolitics — Achille Mbembe's concept is used to explain sovereignty as the power to decide who lives and who dies, and to describe colonized populations as 'living dead'.
  • The Miseducation of the Negro — Carter G. Woodson's work is quoted to illustrate how controlling thinking shapes behavior and enforces inferiority.
  • Sylvia Wynter — Wynter is cited for tracing how Europe made its own idea of 'man' the model for all humanity around 1492.
  • Audra Simpson — Simpson's concept of 'refusal' is mentioned as a turn away from state recognition toward alternative ways of being human.

Contribution & Novelties

The original contribution of this video is its integration of literary analysis with historical and media studies to illuminate the mechanisms of dehumanization in settler colonial contexts. By pairing poems by Palestinian and Indigenous writers with analyses of films like ‘Ingagi’, the speakers demonstrate how cultural production both reinforces and resists dehumanization. The presentation offers fresh readings of contemporary poetry (e.g., Leanne Simpson’s ‘I am Graffiti’ and Suheir Hammad’s ‘breaking poems’) and connects them to theoretical debates on necropolitics and refusal. The discussion also highlights the often-overlooked role of media in perpetuating stereotypes, as seen in the Ingagi example and the recent case of Javitz Frimpong.

Pour aller plus loin :

  • Settler colonialism — Concept central to the discussion; understand the logic of elimination and its application to Palestine and North America.
  • The Vanishing Indian — Trope referenced in the context of Indigenous invisibility and erasure.
  • Truth and Reconciliation Commission of Canada — Context for Leanne Simpson’s critique of reconciliation processes.

161 words

Radar Profile

The radar profile indicates a well-balanced presentation with high quantities of information and reliable sourcing, while the technical level remains accessible to a non-specialist audience. The video excels in depth and scholarly grounding, making it a valuable resource for understanding dehumanization from a humanities perspective.

Reliability 8/10